Monday, October 31, 2011

Inventory 10, Week 10

Sharon Olds

The Promise

With the second drink, at the restaurant,

holding hands on the bare table,

we are at it again, renewing our promise

to kill each other. You are drinking gin,

night-blue juniper berry

dissolving in your body, I am drinking Fumé,

chewing its fragrant dirt and smoke, we are

taking on earth, we are part soil already,

and wherever we are, we are also in our

bed, fitted, naked, closely

along each other, half passed out,

after love, drifting back

and forth across the border of consciousness,

our bodies buoyant, clasped. Your hand

tightens on the table. You’re a little afraid

I’ll chicken out. What you do not want

is to lie in a hospital bed for a year

after a stroke, without being able

to think or die, you do not want

to be tied to a chair like your prim grandmother,

cursing. The room is dim around us,

ivory globes, pink curtains

bound at the waist—and outside,

a weightless, luminous, lifted-up

summer twilight. I tell you you do not

know me if you think I will not

kill you. Think how we have floated together

eye to eye, nipple to nipple,

sex to sex, the halves of a creature

drifting up to the lip of matter

and over it—you know me from the bright, blood-

flecked delivery room, if a lion

had you in its jaws I would attack it, if the ropes

binding your soul are your own wrists, I will cut them.


>8 sentences long, 33 lines, one stanza
>Towards the end of the poem the writer uses repetition of words
>At line 26 the sentences get longer and less pauses.
>After "you're afraid i'll chicken out" seems to be the shifting point. The writer goes off subject.
>There are a lot of words with "ing" endings in the beginning of the piece.
>There is a part that says you you.

Junk Yard 40, Week 9

"It beat out Easter and our birthday...Christmas first, Halloween second" um this was from listening to the radio... these were more like notes for idea quotes.

back up, tilt the view find slightly. Tip the shot


Sunday, October 30, 2011

JunkYard 39, Week 10

" extra cushioning
heel and side-to-side stability
flexible outsole
I taught a circuit "

"an upper with webbing for structured support and a wraparound lacing system that stabilizes "

sweat-wicking

Flywire, superstrong metallic thread

light, breathable

JunkYard 38, Week 10

"Made from European crystal fused with magnesium"

" Grapevine & Oak and Vineyard "

" Mexican café de olla and has cinnamon, brown sugar and coffee notes."

" “lean and sinewy” and “same color as box,” "

" handsome crosshatch pattern—perfect for the Scotch lover."

"is aged 18 months in American white-oak barrels and twice-filtered, resulting in a crystalclear Tequila."

" mirroring the original 19th-century"

"a blend of 10-year-old Cognacs"

JunkYard 37, Week 10

"Thought of the Day: Someone should make a coffee table book of threatening trailer trash euphemisms."

"pig brain sandwich on food network's "best thing I ever ate".... eww, no thank you"

"Some girls have a thing for shoes. I have a thing for hats. And large earrings"

Thursday, October 27, 2011

Calisthenic 9, Week 9


Les Montres Molles, 1968. (His Last Painting.)

We met at the edge of time. His talents curled
off his lips melting drops of water, shadowing
reflections of his dead brother. Wild-eyed,
he explained his theories of pocket watches
and expanding landscapes, as if I understood
their luxuries.

He was 84 as I watched his last breath
twister up into the sky, drawing shattered
pieces of him and his father's relationship.
Unforgiving, he decayed, a fly ate away time
that his father never cared for. A lonely moth he sat
edging away from his art.


BLEh... brain fart

Response 18, Week 9


Queenie,

I like the way you describe a lady with spaghetti and food terminology it's just crazy. I think the format of this poem is intesting but I'm not sure what the shortening of the lines mean. Each line gets smaller and smaller. Is this trying to create some type of relationship? Like the way a man thinks of a lady... for her looks and other than that she isn't much, so shortening the lines is taking away from her? If it is I think you should create that relationship in this poem. Have a males character belittle this lady and make her just an object. I think that would be a really cool contrast for the poem but its just an idea. I really do like the way this female character is created. I want more to read lol

Response 17, Week 9

Samaria,
This is a really neat piece. I like the way you create this tease between a vegan and a carinivora. You have a clever play on words which is fun to read. I don't know how I feel about "I let it warm up use my tongue to
ice shave it off. " It reads too fast for me and the words don't make sense like that. Maybe there needs to be a puncuation break or a re-write of the sentence? Perhaps "I let it warm up, use my tounge, and ice shave it off." I think it slows the reading and makes it sound more intresting and someone more of a carvinoristic tease towards the vegan. But really I love the way you used such rich words and descriptions in this piece. It was very fun.

Tuesday, October 25, 2011

Junk Yard 36, Week 9

"I'm pretty sure this guy just called me a moral failure. He looked at me when he said it. PS I hope you're notes are color coordinated in that super cool composition book you're sportin' today."

"I had a dream with you in last night. I cant remember it but i remember waking up and feeling a deep terror."

"My dad felt sick and asked if we had any beer. I said "no, but we have some Jameson." He said "what? who brought whiskey into this house?" I replied "me." Then we drank Jameson on the rocks together. Unforgettable"

"tonight's plan: acting semiclassy and being semiwasted at semiformal while semidefinitely prowling for hot 1Ls."


Improv 9, Week 9

Original

William Matthews

Loyal

They gave him an overdose

of anesthetic, and its fog

shut down his heart in seconds.

I tried to hold him, but he was

somewhere else. For so much of love

one of the principals is missing,

it’s no wonder we confuse love

with longing. Oh I was thick

with both. I wanted my dog

to live forever and while I was

working on impossibilities

I wanted to live forever, too.

I wanted company and to be alone.

I wanted to know how they trash

a stiff ninety-five-pound dog

and I paid them to do it

and not tell me. What else?

I wanted a letter of apology

delivered by decrepit hand,

by someone shattered for each time

I’d had to eat pure pain. I wanted

to weep, not “like a baby,”

in gulps and breath-stretching

howls, but steadily, like an adult,

according to the fiction

that there is work to be done,

and almost inconsolably.



My Draft: This is more like notes for the piece.

My Dad turned 46 the day lucky died.

I was driving home from Carrollton to babysit Gary and Kassandra so my parents could go out for dinner and a movie.

When turned down Carson Court something immediately felt wrong.

I drove down the driveway and noticed the black trash bag with the red tie below the peachtree.

I couldn't smell the vanilla from my dad's black and mild.

I noticed there was no dog on a chain running beside my car.

I was a little confused, perhaps Lucky was in the basement because the weather was a little cold.

I walked inside with out a hello and walked straight to the basement door and walked down the aged wooden stairs skipping the third to last step because it was loose and ready to fall off.

The lights were off and the basement was silent.

After returning up the stairs I noticed my dad wasn't inside so i walked to the back porch and still couldn't find him until I looked an acre across the road and saw a small figure behind the trees in the dirt.

I walked to the back and my dad was digging.

He was digging fast and frantic... kind of angrily with a sense of hurt.

I asked him what happened and he said one minutes I was looking at her out the window and she was fine.. I turned around and when I looked out the window again she was dead. Lifeless and cold across the concrete with stomps of blood on the ground.. She died suddenly and painfully he cried and continued digging with out looking up. It was his birthday and my heart hurt for him.

He brought the trash bag to the hole in the ground and sat on his knee. He placed the bag over his lap and opened the bag and began to pet her. He apologized to her and cried. He held her in his arm one last time and closed the bag and placed her in the hole and returned the dirt to the ground slightly out of place. And with the final shovel returned he held him self up with the handle and buried his face and cried.

And we walked inside and he tried to go to dinner and a movie and returned with a box of food that he never ate.


Now I have to condense this and go off subject.....



Junk Yard 35, Week 9

"did you know that blastopore is the scientific term for butt hole?" .... um no I did not, this was asked at the library.

Monday, October 24, 2011

Junk Yard 34, Week 9

"BLOOP BLOOP. Just pseudo-hacked into my old iPod "
"bigorexia"

"The older I get the more I realize how damaged my emotions n my heart really are"

"i wish i were a glow worm."

"All the bad things and all the things that didn't go my way have officially defeated me. I can't shake this overwhelming feeling of disappointment. I never thought I would get to this point. I feel like I have let myself down and everyone around me. I was the one person everyone else saw potential in and said I would go far in life. I have nothing to show for"


"i think i'm drooling over the new TOMS winter collection. i must have the teal stone washed cords. i'm in love."


Junk Yard 33, Week 9

"Finish the sentence...its ok to kill a baby in a womb _____? when? NEVER!"

"Two year contract with ATT. Check. Barracks with no ATT coverage for the next two years. Check. Fml"

"I literally can't stop falling in love with this girl!!!!!!! :( maybe ill find a way to stalk her when i visit france"

"You know what makes my day? When my sweet Elvis comes and curls up in my lap. I ♥ him so much!!"

Inventory 9, Week 9

Ilya Kaminsky

We Lived Happily During the War

and when they bombed other people’s houses, we

protested

but not enough, we opposed them but not

enough. I was

in my bed, around my bed America

was falling: invisible house by invisible house by invisible house.

I took a chair outside and watched the sun

in the sixth month

of a disastrous reign in the house of money

in the street of money in the city of money, in the country of money,

our great country of money, we (forgive us)

lived happily during the war



>The title is the start of the poem

>The Poem is 3 sentences long.

>words are repeated immediately after each other.. Example "but not enough, we opposed them but not enough...." "in my bed, around my bed..." "invisible house by invisible house by invisible house"

>The line breaks don't seem to have a pattern to me... I could be wrong.

>This is a very short poem with only 93 words.


Sunday, October 23, 2011

Free Write 9, Week 9

a draft I just started... probably be back to this before the end of the week.

Today I burned, and today she lured

into the flames of her cannabis hips

she whispered : everything

is going to be alright—she passed

and I blunt and we shared

the smoke danced, her fingers slowed

approached my face until our lips

traced soft, and then hard, and then harder

until Rouge burn deep into the pit

of my lungs that breathed hurt.

I liked the way it hurt, my lungs

my eyes heavy with tired, restless

rapids waving wrists, and my body

graciously accepted her gift, a hit

a dime well spent, a blunt remark

of a bad day.

Thursday, October 20, 2011

Free Write 8, Week 8

umm just things I wrote to myself to remember...probably things I'd only get and you wouldn't. Its from my phone and I'm interested to see what it looks like

smells like a gas chamber and then a vacuum put on reverse
wristing waves against the wind
pulse photosynthesis
A trees genetic make up. Leaves. Vein.
Palm tracing astrological following
Debris skin
tracing the ink pad
fingering identity
Everyday it seems like you check the mail, not me, I don't even look for the anticipation
A man that stole clothes to arrange a mannequin like a girl
our lives are assembled pieces
take mail to lost office
one time I woke up in a _______ and I couldn't tell you how I got there
Golden locks sweeping and polo shirts
coffee corsswalk elevated caution building santa fe
suck it up let my eyeballs free

weird...


Improv 8, Week 8

No idea what I just wrote but it was kind of a memory of a trip to NY which the original made me think of and then I was watching American Psycho and thinking about living in California and this just turned out weird.


It’s 2:45 in the morning, were standing in a line

waiting for paper plates, chicken and rice, I’m shaking

California grounds because my boyfriend pushed

my carmine button that fastens to my favorite

Gap cardigan. I’m boiling over the Rocky Mts.

to find myself in New York again.

John Tsoa’s father is a part of the Buddhist mafia,

he operates legally and crimes justifying humanity,

humanity that people have lost faith in.

He bought us three tickets to the city

where we have lost our minds in Bronx.

There is a man cursing in the half closed

half opened, combined, Dunkin Donuts

and Popeyes. Fucking ugly bitch, I want to stab

you to death and play around in your blood.

My boyfriend walked out as tears

drippled down my face and that man

approached me, licking his cracked lips

caked with something white and breathed

steam in my ear, it sounded like scratch

against a chalky wall and smelt like

London fog as his words stuck

to the filmy membrane of my mind.

He made me feel dirty and I cried

spray paint as another sad story.

Claude McKay

The Harlem Dancer

Applauding youths laughed with young prostitutes
And watched her perfect, half-clothed body sway;
Her voice was like the sound of blended flutes
Blown by black players upon a picnic day.
She sang and danced on gracefully and calm,
The light gauze hanging loose about her form;
To me she seemed a proudly-swaying palm
Grown lovelier for passing through a storm.
Upon her swarthy neck black, shiny curls
Profusely fell; and, tossing coins in praise,
The wine-flushed, bold-eyed boys, and even the girls,
Devoured her with their eager, passionate gaze;
But, looking at her falsely-smiling face
I knew her self was not in that strange place.

Wednesday, October 19, 2011

Response 16, Week 8

The pattern I got was 9 8 9 8 8 8 9 8 9 8 9 8 9 8 8 8 8 9 9 10 8 ... but maybe I read it wrong because I only went through once counting because keeping up is hard for me lol. This is definitely a cool outdoors man perspective. I like the way you wrote to compare nature to things in a home like carpet and a quilt and made nature the narrators home. But if I read the pattern right that means you need to go back and check to fix that? so that is my improvement advice! Really cool piece and sounds like a fun exercise I might need to try.

Response 15, Week 8

Kyley,

I really liked this piece. I like how the first two lines play off each other with circularly and repeat itself. One thing about this piece is it felt like the narrative voice kept to one subject and didn't wander enough. I was thinking it would be interesting if you trailed off after the fourth line and returned to the fifth because it looked like those two lines could transition in and out of each other. But this definitely has some cool language. I also liked the practice of reusing words in this piece. The repetitions played quite nicely. Keep them coming :) lol

Inventory 8, Week 8

B. H. Fairchild

Madonna and Child, Perryton, Texas, 1967

A litter of pickups nose into Sancho’s Market
south of town late Friday night rinsed in waves
of pink neon and samba music from some station
in Del Rio spilling out across the highway.
Sancho’s wife dances alone behind the cash box
while her daughter, Rosa, tries to quiet her baby
whose squalls rip through the store like a weed-cutter
shredding the souls of the carnal, the appetitious,
indeed the truly depraved as we in our grievous
late-night stupor and post-marijuana hunger
curse the cookie selection and all its brethren
and Al yells at Leno lost among the chips,
beef jerky, string cheese, bananas for Chrissakes,
that if he doesn’t stop now and forever telling
Okie jokes he will shoot his dog who can’t hunt
anyway so what the hell, but the kid is unreal,
a cry ascending to a shriek, then a kind
of rasping roar, the harangue of the gods,
sirens cleaving the air, gangs of crazed locusts
or gigantic wasps that whine and ding our ears
until the air begins to throb around us
and a six-pack of longnecks rattles like snakes
in my hand. And then poor Rosa is kissing
its forehead, baby riding her knee like a little boat
lost at sea, and old Sancho can’t take it either,
hands over his ears, Dios mio, ya basta! Dios mio,
so Rosa opens her blouse, though we don’t look,
and then we do, the baby sucking away, plump cheeks
pumping, billowing sails of the Santa Maria
in a high wind, the great suck of the infinite
making that little nick nick sound, Rosa
smiling down, then Sancho turns off the radio
and we all just stand there in the light and shadow
of a flickering fluorescent bulb, holding
our sad little plastic baskets full of crap,
speechless and dying a little inside as Rosa
whispers no llores, no llores, mija, mijita,
no llores, and the child falls asleep, lips
on breast, drops of milk trickling down,
we can even hear it breathing, hear ourselves
breathing, the hush all around and that hammer
in our chests so that forty years later
this scene still hangs in my mind, a later work,
unfinished, from the workshop of Zurbarán.


>The piece is 3 sentences long and 44 lines long

>The author uses two languages in this piece.

>The author practices repetition of some words immediately after each other.

>There are 39 commas in this piece.

>It is is one stanza long.

>Only three words are capitalized at the start of a line.

> Most lines are evenly lengths.

Monday, October 17, 2011

Junk Yard 32, Week 8

I wanna let all you female folk out there in the world in on a secret...big hair NEVER went out of style. So grab your hair spray,, curlers, and those big round brushes ladies and put on your heels and tight dresses. It still looks good to me.

I love my sister. She taught me everything about women's fashion I'm ever gonna need to know.

live taping at a bar in Buford Oct. 26th

No matter how bad I may feel sometimes about myself, my mom & sisters still think of me when they see a llama & my adoring husband still climbs in the driver's seat on top of me bc he doesn't want me to go.. I am loved.

Ok Memphis you can breath I made it back..

Oh how I love the opportunity fund! My wallet just got a well needed lifeline!

Annoying things he does: tickle me until I pee my pants. Doesn't let it go for months when he finally is right for once. Lures me into candy and chocolate every day. And makes me happy every day of my life

Work sounds horrible... My arms feel dislocated & I'm still having a hard time getting the glitter out of my hair

Anyone else notice the 'flex seal' spokes guy's daffy duck-esque lisp..."flekth theal

I hate when someone gets a new cat and for the next month all you fucking hear about anymore is their cat and all the ridiculous shit it does. We've all seen a cat.

I'm finally back at my apartment! Back to normalcy

Anyone have a suggestions for an affordable (and reliable) home color printer, that has reasonably priced ink cartridges?


Sunday, October 16, 2011

Calisthenic 8, Week 8

Tonight I’m alone, sprawled on the floor
cold under a blanket listening to Charlie Chaplin,
thinking about poetry and the 1940’s noir,
reminiscing 18 year old modeling photos— Pin
on the bulletin board is a gardenia written note
blanketed with words that return warmth to my body
as red wine stains the words my ears wrote

after barrowing words, listening to everybody.


People are tired of repetition, tired of being babies

goose-stepped into misery and bloodshed.

People are impatient about basic language and maybes
they want to lazed luxuries, cigars, and bed.

People in America are spoiled, even the poor

they don’t know poor like the Filipino store.



Ummm I don't know whats going on with the bottom half of this? words won't stay together so ignore.

Junk Yard 31, Week 8

goose-stepped us into misery and bloodshed

bitterness of men who fear the way of human progress

Don't give yourselves to brutes

drill you, diet you, treat you like cattle, use you as cannon fodder

unnatural men---machine men with machine minds and machine hearts! You are not machines! You are not cattle


Junk Yard 30, Week 8

prone to earthquakes and typhoons archipelago comprising 7,107 islands

is categorized broadly into three main geographical divisions:

and eventual dominance

In the aftermath,

emerged as the dominant power

It has a fine structure, at arbitrarily small scales.

It is self-similar

It has a dimension

It is a simple

I’m female therefore you considered to be infinitely complex

These are defined by

Junk Yard 29, Week 8

pullin' from the jazz stacks cuz
it's sunday

Look at my handsome husband

I miss Rain so I decided to watch some music videos. I believe I just destroyed my ovaries D: OH HAY BODY ROLLS + HIP THRUSTS+ TEARING SHIRTS. I wonder how many shirts he's ripped in his lifetime.....

The smell of a grill in the hood is comforting, unless it's not yours

Hair wisking may be my new obession!

Was going to walmart and almost pulled into Cheddars out of habit

I have this weird obsession with elephants, In a completely normal way.


Thursday, October 13, 2011

Response 14, Week 7

I really like the details that create this character for the piece. It's a nice little story of the poet’s life. I'm not sure I like the voice of the mother in the beginning because it didn't feel fitting for the rest of the piece. It just seemed a little random. I really like the ending "and none hold a page of his work." I like this because as a poet I've been asked to write a poem about someone and I have to decline because for me it doesn't just work like that. I make poems from words I find interesting and create the scene or character from that. I use to try to force words and ideas for a concentrated subject but realized it is pretty much impossible. I'd get crappy poems because I would try to restrain. So I thought it was cool that I could relate to this poet in this piece by not creating works that involve my life but just playing with words and making something. But I really enjoyed reading this piece.

Improv 7, Week 7

Original:
The Waking by Theodore Roethke
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.

We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.

Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.

Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.

Great Nature has another thing to do
To you and me; so take the lively air,
And, lovely, learn by going where to go.

This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.


I stabbed a man once, in the chest.
To prove I was honest, a true friend.
I put that man to a restful rest.

Oh what have I done but make a mess?
Now I must take all that I can mend.
I stabbed a man once, in the chest.

We were so close,now where are you?
A photo album placed below the book on how to bartend,
and put that man to a restful rest.

The picture was burnt with a green tint, but how?
I guess to move on that is how you send.
I stabbed a man once, in the chest.


blehhhhhh

Wednesday, October 12, 2011

Response 13, Week 7

For Diamond's Calisthenic.


I just got done writing my Calisthenic! Its so cool to see how differently we tore this poem apart and reconstructed it. I agree with Tim. It was a little weird for me to read this piece because all of a sudden towards the end there was a change in the narrative voice. But I really like the beginning. I also like the repetition of words in the beginning, it gave a little more emphasis to the text. I also liked "the drunk shriveled up in church on Sunday" line because that is youth church going truth lol. Anyway this is really cool! You should check out mine and tell me what you think because we made such different poems! Its neat.

Calisthenic 7, Week 7

Step 4: Draft


You are the reason shoes stick to concrete,

even a fool like me can see you’re broken beauty,

components of pigments, oils, waxes, and preservatives.


Falling to the trends of Cosmopolitan,

drinking pink panty pull down,

you are the reason men liquefy

in one of three forms—liquid, cake, or cream.


You fake Egyptians and Victorian,

like the way things are out in this world,

where most things disappear, driven into ground,

you are ground.


You are the reason bacteria regulates,

collecting skin of human dust

eyeing soot, sexing ash, and nylon.


You loosely concern me as you are manufactured,

preserved in a tube, packaged in plastic

and mailed to a woman named Beth

because sluts don't have names.





Step Three: Cut


You are the reason shoes stick to concrete,

collecting skin of human dust.
skin dries

holds more than it meets.

Even a fool like me can see you’re broken beauty,

like the way things are out in this world,

where most things disappear,

driven into ground, you are ground

Drunken deacon, ate the sausage’s cooked by my half-brother,

he meant to use for jambalaya’s baby mama recipe.

, we use to Sundays picking apples of the orchard.






Step Two: Fill In


You are the chewing gum of God.


You are the reason shoes stick to concrete, collecting skin of human dust.
I know that skin dries to the Fall and rise to air ducts, it is only that, that holds
more than it meets. The heart of you is something I don’t quite get but don’t want to. Even
a fool like me can see you’re broken beauty, like the way things are out in this world, where most things disappear, driven into ground, you are ground already, & like rice you rise.


Drunken deacon, ate the sausage’s cooked by my half-brother, he meant to use for jambalaya’s baby mama recipe. You bring me back to the beginning, to where things live again for me and my father. Like a Homemade saviour, you fed me the day my father sat under flowers white as the gloves of pallbearers tossed on his bier. Soon, hands will lower him into ground richer than even you.

For now, root of all remembrance, your thick chain sets me spinning, thinking of how, we use to Sundays picking apples of the orchard. Like the small, perfect, possible, silent soul you spill out like music, my daddy dead, or grief, or both—afterward his sisters my aunts dancing in the yard to a car radio tuned to zydeco beneath the pecan trees.








ORIGINAL: Read for Step One


Ode to Boudin

You are the chewing gum of God.

You are the reason
I know that skin
is only that, holds
more than it meets.
The heart of you is something
I don’t quite get
but don’t want to. Even
a fool like me can see
your broken
beauty, the way
out in this world where most
things disappear, driven
into ground, you are ground
already, & like rice
you rise. Drunken deacon,
sausage’s half-brother,
jambalaya’s baby mama,
you bring me back
to the beginning, to where things live
again. Homemade saviour,
you fed me the day
my father sat under flowers
white as the gloves of pallbearers
tossed on his bier.
Soon, hands will lower him
into ground richer
than even you.
For now, root of all
remembrance, your thick chain
sets me spinning, thinking
of how, like the small,
perfect, possible, silent soul
you spill out
like music, my daddy
dead, or grief,
or both—afterward his sisters
my aunts dancing
in the yard to a car radio
tuned to zydeco
beneath the pecan trees.

Kevin Young

from Dear Darkness: Poems. New York: Knopf, 2008.

Inventory 7 Week 7

For A Coming Extinction

Gray whale
Now that we are sinding you to The End
That great god
Tell him
That we who follow you invented forgiveness
And forgive nothing

I write as though you could understand
And I could say it
One must always pretend something
Among the dying
When you have left the seas nodding on their stalks
Empty of you
Tell him that we were made
On another day

The bewilderment will diminish like an echo
Winding along your inner mountains
Unheard by us
And find its way out
Leaving behind it the future
Dead
And ours

When you will not see again
The whale calves trying the light
Consider what you will find in the black garden
And its court
The sea cows the Great Auks the gorillas
The irreplaceable hosts ranged countless
And fore-ordaining as stars
Our sacrifices
Join your work to theirs
Tell him
That it is we who are important

>There is no punctuation
> five lines have two words
>one line has one word
>The first two stanzas have an even amount of lines
>The last two stanzas are odd amounts of lines
>There are four Stanzas and 32 lines
> I counted around 8 adjectives reading through it once but there wasn't too many adjectives
>All letters capital at the start of a line
>In the first stanza the line start with That and the fourth is Tell and the fifth is That again
>Tell him is a line its own in the first stanza and in the last stanza