Wednesday, November 16, 2011
Junk Yard
Response 24, Week 12
Anyway I'm not entirely sure what is going on in this poem. Is it a sexual relationship at work maybe? A borderline sexual harassment case? Anyway I think some lines could be condensed and there could be an opening to go off topic that provides more background information after line 4. Maybe a letter in the briefcase that introduces the other character that is being outlined by the curves. I just know nothing about this other person. And actually now that I read this piece I think both characters could be more established. But this is a great draft.
Response 23, Week 12
Anyway, I really like this draft and the transitions especially in the first stanza. Lines 3-5 I just love the play of words.
I don't know if I like the ending of this piece because to me its just another explanation of the desensitized prostitute. I think it would be interesting if you made the character in this piece excited for this job. I mean she kind of seemed excited for the idea in the beginning of the piece and then by the end its like... actually this job would suck. I don't know if you've ever been to a strip club but the women there may physically be there but when you watch their face.... they are mentally checked out. I think it would be more of a challenge to convince a reader that being a prostitute is an appealing/exciting job.
Anyway I thought that would be an interesting/different and challenging perspective.
Overall thought I had fun reading this piece.. I really like "whispering destined jargon deciphered only through touch--like brail"
Tuesday, November 15, 2011
Inventory 12, Week 12
Gerald Stern
The Dancing
In all these rotten shops, in all this broken furniture
and wrinkled ties and baseball trophies and coffee pots
I have never seen a post-war Philco
with the automatic eye
nor heard Ravel’s “Bolero” the way I did
in 1945 in that tiny living room
on Beechwood Boulevard, nor danced as I did
then, my knives all flashing, my hair all streaming,
my mother red with laughter, my father cupping
his left hand under his armpit, doing the dance
of old Ukraine, the sound of his skin half drum,
half fart, the world at last a meadow,
the three of us whirling and singing, the three of us
screaming and falling, as if we were dying,
as if we could never stop—in 1945—
in Pittsburgh, beautiful filthy Pittsburgh, home
of the evil Mellons, 5,000 miles away
from the other dancing—in Poland and Germany—
oh God of mercy, oh wild God.
>This is one sentence long and 19 lines long
>Line 17 uses Pittsburgh twice
>The last line repeats the word God
>There are 17 commas
>There are 4 —
>Line 5 seems to be the first transition in the piece and it transitions into a memory
>
Junk Yard 48, Week 12
They DO NOT like to repeat themselves...
Monday, November 14, 2011
Junk Yard 47, Week 12
So any mic that I find, I got the right to be hogging it.
Talking shit, loud mouth, wyle out- starting it,
Alcoholic slaughtering my vocab department.
So pardon if my talking is slurred,
Pants sagging, hands grabbing on my nuts, clutch sparking my herb.
Junk Yard 46, Wekk 12
Junk Yard 45, Week 12
Thursday, November 10, 2011
Improv 11, Week 11
And yet we sooner say
"The Summer" than "the Autumn," lest
We turn the sun away,
And almost count it an Affront
The presence to concede
Of one however lovely, not
The one that we have loved --
So we evade the charge of Years
On one attempting shy
The Circumvention of the Shaft
Of Life's Declivity.
Response 22, Week 11
I definitely see and idea with-in and idea here. And I feel like I follow it up until the very end. The last line was just like "What?!" for me. The whole poem seems mostly of an abstract thought of "Sex" and "Drama." I think the way it is written, it could stand well alone. I don't need much background info and what not. However at the end I think this could just be extended more because I have no follow on the last line could possibly mean. Unless the nakedness of sex is compared to a barefoot? if that is the case I'm not sure I like the comparison lol But I like how there is almost no words for this piece but a lot of thought can take place. Really cool draft.
Inventory 11, Week 11
Wednesday, November 9, 2011
Calisthenic 11, Week 11
Green Paper
At the 1016 Lofts, I was about to be dancing him carefully when,
at elegant crayon, paper eagerly across the lines
and loudly from me, he beg first
to his shy cellar for inspiration
and then the gifted, and he was downstairs,
patiently before he blush the color dark red
My fruit buzz him choke, too,
and a flavor, who bubble over.
He was a fierce dust, lazy,
delight, curl gate during the day
and his giraffe and flesh
at night. He didn't disapprove
or try proceed the sun
with which he grate these sink.
My dust said: "Happens." Our carpenter
escape immense to his faucet
and was soon film towards us
with his noisy skate,
of which he was underground
but so far only used threaten two big vacation.
It was the thread
we'd usually call command after a summer.
A tray, a handsome underwear you learn
where he, or she, lie. Our uncle
harm a quilt
beside the shape
and we grin him always.
I'd already hug morning
before I kiss his pear.
Our thrill returned the throat,
In it, there were snow,
pencil never, never knee; before
by a baker’s,
nor even a Mark’s, eye.
Mrs. Hacket, our grocer’s name,
returned the quicksand from where it came
and, with the judge of a reward
we matter it soon
as best we could. One hissing recess
memorise now.
It was a Friday,
I remember, for territory we temper pollution, with pleasure
on long fat sofa, every Friday,
queen and wood.
Response 21, Week 11
Is the second stanza on the add on to this piece? Ha that sounds weird... anyway I was too lazy to flip back to the original draft and just noticed the large space between the second and first.
This is really interesting... Is this a version of Hansel and Gretel with a Religious twist? I only say because you've got the kids and the goods (baking goods), and the witch (which seems to be the virgin Mary). This piece has a Hansel and Gretel tale but in a deeper meaning seems to express a relationship between a mother and a daughter. It was really weird the way this piece made me feel lol but not in a bad way!
The Break between stanzas two and three.. I'm not sure it works... it seems a little too odd. Maybe keep memories in stanza two and cut "of a time" and begin the third stanza with "My mother made me jelly sandwiches..." (lol is this stanza part of the piece we worked shopped earlier this semester or you just really like pbj sandwiches?) Ok on the next part "My mother taught me me when I forgot myself" Maybe put a comma before the second me because reading "me me" sounds weird and makes me get lost..
" I tossed and shriveled on a metal gurney" I love this line!! so cool.
"her crows feet in years" I feel like this is talking about the mothers eyes and I feel like Crows feet is a little cliche and could probably do with out.
I like the closing to the introduction but in the middle I get a little lost in the significance of the events to the story.. I think its mostly I don't get what is happening.. The third stanza is where I start to get lost and then by the ending I'm back. I guess I didn't understand how we went from sandwich to a jacket and so on... what were the significance to the story?
Anyway I enjoyed the piece. A different way to look at a fairy tale.
Tuesday, November 8, 2011
Junkyard
Monday, November 7, 2011
Free Write 11, Week 11
Maps
A visual representation of another Cinderella story—a symbolic depiction
highlighting relationships of a 1950 childhood expectancy
for such things as triumph, humility, and faith.
I can’t remember the exact date, early in the year of 2006
or perhaps late fall 2005?
It doesn’t matter where a long bar labeled with dates points
so long as it keepsakes the important(s) of laughter by the Chattahoochee River,
singing out the window of a red pickup Ford, and listening to Jack's Mannequin
“Into the Airwaves” while sharing a glass of Sycamore red wine.
Her tongue nectar and peached that of a southern bell,
her veins blue north east, fifteen hours, nine hundred and forty four miles,
a distance they (he and she) would eventually cycle on each deployment,
and a promise to always find home.
On a route with tolls and restricted usage or private roads, they each promise
justice in the open air, the eagle to arrive above his head, flung the slipper
into his lap to send men in all directions into the country—quest of the woman
who wore the sandal.
Junk Yard 44, Week 11
Sunday, November 6, 2011
Junk Yard 43, Week 11
Junk Yard 41, Week 11
Thursday, November 3, 2011
Improv 10, Week 10
Original
High Windows
When I see a couple of kids
And guess he's fucking her and she's
Taking pills or wearing a diaphragm,
I know this is paradise
Everyone old has dreamed of all their lives--
Bonds and gestures pushed to one side
Like an outdated combine harvester,
And everyone young going down the long slide
To happiness, endlessly. I wonder if
Anyone looked at me, forty years back,
And thought, That'll be the life;
No God any more, or sweating in the dark
About hell and that, or having to hide
What you think of the priest. He
And his lot will all go down the long slide
Like free bloody birds. And immediately
Rather than words comes the thought of high windows:
The sun-comprehending glass,
And beyond it, the deep blue air, that shows
Nothing, and is nowhere, and is endless.
Philip Larkin
I'm just changing words because i'm not feeling creative... at all
Here I am stringing together the words
we once whispered as two teenagers
making out in a field fifteen minutes
from home on Villa Road
Everyone old has dreamed of all their lives--
settled in a french influence estate
vintage with blood plumped harvester,
everyone young is going down the long slide
To happiness, endlessly. I wonder if
Anyone looked at me, forty years back,
And thought, That'll be the life;
a baby and a money hungry father
and an assistant in scantily clothes
And his lot will all go down the long slide
Like free bloody birds. And immediately
Rather than words comes the thought of an antique window:
chippity yellow with rusty handles,
And beyond it, the metaphor of his broken relationship
Nothing, and is nowhere, and is endless.
Wednesday, November 2, 2011
Calisthenic 10, Week 10
November 2, 2011, a note, I lay posted
face down againsts the concrete—ink
smeared Dearest Christopher, I love you.
A cliché in the wind, I am a lost message
trafficing beneath the soles of the educated,
spiraled in the tornado leaves—winded
by the voice of a process forming new images,
a girl dressed forest green with shin high boots
discovered me grounded under a fallen brick
that had pitied the ending of a fire, that had birthed
from a stack of Pannington Seeds and ignited
as kerosene from her words that broke his heart.
Inked from her veins, she felt nothing as the last script
of his life ashed in the wind, she had minded
those who have not been experienced,
helped those who have been seen,
dfnakjfhjdks
I am a combination
of invoked fantasy and the slightest truth
Umm I've got a meeting to attend and I have no idea what it is I have just written? I'm kind of a lost and not done with this yet...
Response 20, Week 10
Tuesday, November 1, 2011
Response 19, Week 10
Free Write 10, Week 10
Daddy Love His Daughter
I have a secret kept between a 1,000 Egyptian threads,
hoisting the dirty dead with their hands ,waiting for my skin
to clean and tear away as the thought of you garters
ink around my thigh. The thigh you touched sprawled
on the floor, cold, bare, under a blanket for 14 years.
I was 4 the first time you touched me like that,
we were best friends because you bought me
Barbie dolls and peppermint sticks, you knew
my infant mind would play along—your sick games.
Twister below the waist and school when mommy
was away, anatomy I understood at 5, I understood
it more than the alphabets and numbers.
Did you know in Europe its tradition for a bride
to wear a garter at her wedding? It symbolizes
the deflowering of a woman. I am a woman now,
I was a woman then, I was always a woman,
never a child. You stripped me 2-3 inches wide
around the waist before mommy could teach
about the birds and the bee’s or riding bikes.
Today will be my wedding day and you will walk
me down the aisle because it is tradition. You will be worn
for the original purpose of holding this secret.
Daddy, you’ll walk me down the aisle and undress
me as you did years before and all will see this
secret of ours.