Wednesday, November 16, 2011
Junk Yard
Response 24, Week 12
Anyway I'm not entirely sure what is going on in this poem. Is it a sexual relationship at work maybe? A borderline sexual harassment case? Anyway I think some lines could be condensed and there could be an opening to go off topic that provides more background information after line 4. Maybe a letter in the briefcase that introduces the other character that is being outlined by the curves. I just know nothing about this other person. And actually now that I read this piece I think both characters could be more established. But this is a great draft.
Response 23, Week 12
Anyway, I really like this draft and the transitions especially in the first stanza. Lines 3-5 I just love the play of words.
I don't know if I like the ending of this piece because to me its just another explanation of the desensitized prostitute. I think it would be interesting if you made the character in this piece excited for this job. I mean she kind of seemed excited for the idea in the beginning of the piece and then by the end its like... actually this job would suck. I don't know if you've ever been to a strip club but the women there may physically be there but when you watch their face.... they are mentally checked out. I think it would be more of a challenge to convince a reader that being a prostitute is an appealing/exciting job.
Anyway I thought that would be an interesting/different and challenging perspective.
Overall thought I had fun reading this piece.. I really like "whispering destined jargon deciphered only through touch--like brail"
Tuesday, November 15, 2011
Inventory 12, Week 12
Gerald Stern
The Dancing
In all these rotten shops, in all this broken furniture
and wrinkled ties and baseball trophies and coffee pots
I have never seen a post-war Philco
with the automatic eye
nor heard Ravel’s “Bolero” the way I did
in 1945 in that tiny living room
on Beechwood Boulevard, nor danced as I did
then, my knives all flashing, my hair all streaming,
my mother red with laughter, my father cupping
his left hand under his armpit, doing the dance
of old Ukraine, the sound of his skin half drum,
half fart, the world at last a meadow,
the three of us whirling and singing, the three of us
screaming and falling, as if we were dying,
as if we could never stop—in 1945—
in Pittsburgh, beautiful filthy Pittsburgh, home
of the evil Mellons, 5,000 miles away
from the other dancing—in Poland and Germany—
oh God of mercy, oh wild God.
>This is one sentence long and 19 lines long
>Line 17 uses Pittsburgh twice
>The last line repeats the word God
>There are 17 commas
>There are 4 —
>Line 5 seems to be the first transition in the piece and it transitions into a memory
>
Junk Yard 48, Week 12
They DO NOT like to repeat themselves...
Monday, November 14, 2011
Junk Yard 47, Week 12
So any mic that I find, I got the right to be hogging it.
Talking shit, loud mouth, wyle out- starting it,
Alcoholic slaughtering my vocab department.
So pardon if my talking is slurred,
Pants sagging, hands grabbing on my nuts, clutch sparking my herb.