Monday, November 26, 2012

Final Journal entries for 4210

Final undergrad journal entries... something I've learned is that it is okay to have sh**y writing in journal entries and the process to find material for written work doesn't that be discovered right away.

Junk Yard-
I just don't know how to make the numbers work
I'm looking down on the world
complexity and simplicity of their stuff
you've got 1,000 magazines I think it's a great bond fire
the vision against the prettiest package
you get us why we are who we are
you can't cut the balloons
be a steward of the earth
awareness outside of the strip
you went all the way around the US to get there
choices. no wonder life is so difficult
panty bandit
lovers quarrel and swaddle coo
you can conceal it in science
her under stomach
someone told me he stunks
I told him about your ivy
cheers to long johns onesies, burning wood, and excessive cuddle season
For the next two weeks I'm gonna be a vegan
heavy napped
generally free people
I'm usually good at sucking the flavor out of gum
my hands dropped 10 degrees
More than a proton on electron
often the same thoughts reorganized... still the same language. What's unique?
Fuck being a dirty word that comes out clean
Wanderlust
My 7 year old nephew said I have 140 calories
the silence takes you, then I hope it takes me too
that was the most worthless work out I ever had
I know I'm not the only one who had a bad ashy spot, no lotion, so licked hand then wiped spot! Improvise


Random Notes to self: Free Write
My babysitter taught me the 5 finger discount with the neighbors california naples

I believe in bleeding ink stained skin. I believe in talking to stranger in Colorado at a mimi market waiting on the bus to struggle us up the snow cap mountain forcing us to face the choke wind. To find our selves at the top plating in the sun cut ribbon smiling to slope back to the bottom and repeat the challenges we are forced to face in life.

As children being taught to not talk to strangers was a typical practice. I don't believe in that. I believe in facing the world fearless

I believe in the fairy tales in our heads, they're not ruled out possibilities, even the queen of hearts has her moments, allow the fearful cuffs around the mind to click open roads and sails to beautiful worldly location

I believe in hesitation and then jump

I believe in endless possibilities, even the ones that stop the rhythmic beeps and flatten the lines of our decisions

The headphones our mothers placed on us at birth, the always right in our head

The never wrong in our head

She taught me to be fearful of the world to never talk to strangers. I didn't listen instead I took one extensive leap to the next. I talked to the stranger at the colorado super market as we waited for the bus.


I tried to give her the benefit of the doubt
but not even in my crazy state of mind
could a period excuse my actions, crazy bitch.




Improvs-
#1 When the City Calls Me Names
     Erica Dawson

I holler back, and the people with cellphones walk sideways
carrying their copy of Star Magazine, beating the dead girl
with misplaced letters in the text out of the box.

She was knocked and little talked by the gavel grip necks
of vapor wrinkled labels handled by suited men nicely woven
into a formal event, she wore a chandelier mask while feeding

the handkerchief bibliomaniacs, the unpin baby
cutting coos and the miss yous, misused
a thousand magazines and one great bond fire.


#2 Credo
     Erica Dawson

The World has No Excuses, but I Do

I understand vintage sterling men's tie and Chivas Regal Royal Salute,
its vulnerable neck tipped $10,000 in motion down my right thigh
tickling my excessive want to be the bubonic plague so that I might cherry
tree truth hampered under the most popular guns of the east Appalachain
trilliums. I am an experienced seed, a fleshy organ illegal to pick
durring the summer months when the body fevers into mole skin.

The world is a short hike to a keepsake box.


#3 Somewhere Between Columbus and Cincinnati
     Erica Dawson

Five States, There and Back in 48 Hours

We have 1,045 miles between us and only the stars
to keep me motivated under the Georgia night sky
as I dance past the Tennessee lines to Bourbon Street
where the live music blares jazzy tunes and waves
invisible notes into pictures of you and I by the river's
bank hopping carelessly between the cobble stone cracks
continuing our road trip to the fatty state of KFC
where the chicken skin fries our tongue twist make out
session into motivation of the agriculture smell of cows
in open fields of flat farmlands, only to make it to the city
where my hand traced your face towards mine
and we forgot about the world.




#4 The Rumor Mill
      Matthew Roth

Shut doors not quite shut. The vents.
The recycle talks of Bainbridge, GA.
The vegan leather, fancy lady coat,

fox fur and the mustache mugs
black coffee brim, jungle red lip stain.
I can't stop staring.

She frames black and white,
a red fishnet Fedora, a beige shadow
"man stopper,"a .38 barrel harkening

the riverboat gamblers and the dead,
or soon to bes. She came to the city
crawling, light-weight and underpinned.

and honestly

#5 Directions
     Matthew Roth

Pinching yourself to forget the ache inside your head

I'm looking down on the world,
and I am ready to cut the strings.
I am ready swaddle in the goat hair
and un-glaze the silk, the gold ribbed
couture, velour leather pants

intricately woven like motorway maps
or processed Blonde d'Aquitaine,
the famous premier fashion house
imitating the soft nape neck

The only benefit, 300 days of sun.

#6 Unused Lines
      Chelsea Rathburn

False starts, limp rhymes, feet bruised and lame,
the collapsed lung in silence, she plagues humankind
with a fishnet torso, feather split and fit, gown petticoat
peeks of pantalette underwear and thick mascara

her blue iris and wilt oleander petals drop
extinct historical book names


#7 Mistakes
     Chelsea Rathburn

So we, born whole, who think we've more to lose
are free to seek whatever ruin we choose,
under bank low lamps and quite words
that fog and heat with the radio cries,
the dread of wilderness and wood stove burns
the visible erosion of human mandible
pass, or cause to pasee ridge stepped dust
about the girl in love with nothing but mindless
hair, shit, dreams or dots like themselves


#8 Face in the Pillow
     Erica Dawson

Then I can't say a word,
the dogs on their paws,
jaw down,

completely relaxed belly meat
warm on the living room floor—
winter midnight's frosty silence
felt my body

the physical reamins
a guitar and wine ribs
with a fine collection of Merino wood
socks

sleek wild flower necks
bent
to the belly fat grass
and fresh biscuits


#9 Biopsy
     Chelsea Rathburn

My knees gave out before I made the bench
and the phone shattered on the carpet mall floor
while people became fool or wise to judge me
in a burst of blushed cheeks,
shortlived nose breaths, how strange
the ephermal world to reach, stroke
all living and dying with out exist,
to think my felt body sink, blank
with my hands clasped and arranged legs worn
into little broken down paths to nowhere.

The others slept, slipped into my bag
and spent with me midnight.

#10 Placebo
       Erica Dawson

I've become the strongest word to the west coast
the superlative 'rad,' tired and overused shoes
paint the bottom sole with mint green eyes
and heavy purple studs. I move in more subtle ways
than the lost breakfast at the Original Pancake House
after a night of inhumane dance pleasure and whiskey
witness of the British man being chain to the cries
of a loose behavior girl in thigh black pants and exposed
middrift, drifting into sheets, hopes to find a boy
to console the fairy tale reality that does not exist,
these girls and their placebo thoughts of desire
tumble like the broken sand in the Encinitas wave
collide like the paint on the canvas half tumbled
off the wall in splats. Splats. Splats break

#11 How Memory Works
       Matthew Roth

When I stepped off the plane the salt waved air,
suddenly I'm propelled me back to California
down L street and third by the Beach House bar
and we are sitting across from each other, I stare
discreetly unannounced so no one could tell
for some reason I feel you eyeing me through
glass and it feels warmer than the rays

#12 Letters from Minor Loves
       Chelsea Rathburn

The letter at the post office is lost
between the blur lines of the cubbies,
each scent like the Honduran Mahogany,
each loud pen smeared by the tears
of the writer trying to erase thoughts
him, or her. It's funny how we think
too much, or not enough.

We never seem to pinch the salt right
when baking bread, it always seems to dry,
crust and discourage the adjusting stale,
sale. Until the water attracts the texture


#13 Slow Drowning
       Chelsea Rathburn

When the California girl was crazy,
I walked to the couch to sleep
and you followed, laid your head
on my stomach and listened to me breathe
until, the California girl found you
and slapped your face. I pretended to sleep
While you remained still on my stomach.
She wanted you bad but instead I had you.

#14 Going Gray
       Chelsea Rathburn

The stitch of my sweater unravels like the curls in my mother's hair.
I only see her back as she face the chosen mahogany coffin.
The scent of japanese cherry blossom carries in the wind and I swore
it was my grandmother whispering into the dark strands of my hair,
remedying me, the reason for the ink panther on her left shoulder,
the family mascot earn living in the philippines.
Today I think I'll wear gray and forget about the red roses of yesterday.
I'll smear its petals against the concrete and watch is stain
like a coffee drinkers teeth, watch it crack like winter elbows, dry
my mouth into lost words.

#15 La Temptressa
       Erica Dawson

I wore sheer tights under my lace red dress,
its no control waist band tease, tight
around my thigh, there was no need for a garter.
I stretched my arm to the contour of my leg
and strap my heavy rouge heels with the buckle
fasten faster than the slow following curious eye,
controlled movement to keep attention, poor guy
didn't know the steam from the black top pavement
could reel you in with its twisting dance
graft the skin and permanently remind his heart
the trouble it takes to breathe.
They cigarettes damage the lungs, the truth is women
do with the single inhale of her Chanel scent.

#16 If you died today and were reincarnated, What would you be?
       Erica Dawson

In the rhinestone of the six inch heel
reflect the face of a mad, desirous woman,
deeper in its soul is a tiger painted heavy
in orange and bio-ethanol yellow.
The mouth open like the men oogling
at her hammer jack concrete steps,
she has steps that kill almost as hard
as the North African scorpion's human
fingernail body, piercing headache
sting memories of hospital trips
like the visits made to visit grandma
during her fail kidney.
She is the creature found everywhere
in billboards, kitchen butter knives,
and foot stools. She has a secret,
only found out when chest is heeled
and the answer of the story is end.

#17 The Poet, Mid-Career
       Matthew Roth

Got an answer in the story today,
every fourth letter in the typeface,
Pristina font, spelt torches
so I immediately set fire to the war
inside my head, re-wrote the agenda
and packed my only black underfur coat
over aged from the thrift store, faded
like the stripes on the thinned out neck
of the boy in the pajamas, who faded
into black like the molar on the left side jaw,
finally to twist freely in the smoke, that move
like spiders crawling across my pillow,
myself in my blankey, my face like a hot shower,
I can't stop thinking about the disabled
bodies of history.

#18 The Present Bird
       Matthew Roth

The thief, he kindly spoke to me
as if I were a princess among cold,
strung on a violin carved like Sunday,
the everyday laze we wish for.

He knew exactly how to gem the stone,
how to play the video game with the amethyst
mines, the beautiful eye lashed Aquarius
pouring waves of breathe back into foreign places,
the fears of dust in a suitcase riddled full
of old magazines, building floors of fallen cards
because the Queen of diamonds struggled
interaction at the turn of water powered wheels,
striking the ideas, ducking and move into swollen eyes.

#19 May Cause Drowsiness
       Erica Dawson

The females are typically larger than independent skull on hwy 20,
east bound towards the blue fir tree, where the bark spider lives in 67 degrees
of silk water string seen only by prey seeking to drink populations
of adult bones strengthen by living environments. What am I writing?

The reasons of racist, defenseless human hind legs,
the indeed correct labels for mass killings
carried out in public grunt claims to "necessary"
massacres diets that rip thick foundation
to the 1970's ending year written in the books
justified

#20  God Girl
        Erica Dawson

Many names around the world, she is served both cold and Caribbean,
mixed in the tanginess of herbs she is served mixed with Jamaican rum.
She boils in copper pots to destroy the needed metal taste men's body
crave. The hibiscus movement of her hips shares a story about the West African
trader who found the metal color music box leached to the ears of the children
in half torn diapers still enameled in smiles with their steep petal caved
stomachs mimicking the ice cube diet of the teen on Vogue magazine
dying for attention to ignore the little ones fighting to not plume like the broken
waterfront

#21 Calling
       Matthew Roth

The world's oldest light bulb has been burning 111 years,
more facts and ancestry than I know about my own family
—so little wanderlust nights in southern California
where the record-hold on my family's beginning history,
when my mom and dad made the "best" of a diminutive
relationship, pride. But it wasn't too long before the fire engines
siren miles between truck routes and gas station trade offs,
as if I were an exchanging rate of drug. Laurel Thatcher
had it right to say "Well behaved women seldom make history"
So at seventeen I sheered my legs open like the Belladonna
photograph, I pivoted my hip bone to match the crease
page of the pervasive rebellion, mothers and daughters
voiced only in a quite book to be heard and not paid,
not fully human yet labored between the legs, under the roof
bought by the man with the unfaithful wedding band, band together
with a clench fist at the local bar, laughing moustaches
to signify age and testosterone respect. The silent obscurity
of bottled Southern Comfort, original with the line of tea bags.......

#22 That Time Frank Thought a Plastic Bag was a Jellyfish
       Erica Dawson

This morning I open the screen to my laptop and read the daily horoscope
of a Leo and thought about the concerns of the environment that no longer
promotes family value because speaking on a disagreement is a matter that dress
under intimidating ties of a suit that ignores the sun to comfort in the waves
that fall and rise like the smartass remarks of a Thanksgiving dinner a family
did not want to share so they stuff their mouths full as an excuse to not talk
about the whether or the fresh scent of the lilac garden colorful

#23 She Wishes Her Beloved Not So Pure, Nor 900 Miles Away
       Chelsea Rathburn

At night when I lay in bed I question myself
I answer the question of what I want
and when I want to dial your number, I don't
because what I want is for the sirens
chasing the 936 Peugeot Darl'Mat down the hwy.
I want the mouth watering of a man
wiling to distance the miles between us, closer
with out words but assembly and recovery
from the American Depression, a self inflicted
wound of the mind.

#24 Sixteen
       Chelsea Rathburn

Before I was sixteen I use to sing "Strawberry Wine"
and pretend I was seventeen, completely ignoring
the listening year of the first independent movement
from home to the mall, the calling of age and money
and desirous desires to be a model in Malian. How silly
a world to teach the girls how to be snotty brats dressed up
in the news, taking away the "lucky" man's numbers
for personal pleasure to learn nothing.

#25 The Sixth Grade Lunchroom
        Chelsea Rathburn

When I was eleven years old I had attended eleven different schools
and had lived only in three states and one very poor desert heated country
I didn't complain but I made observation of it and when I stated the facts
my father stated his mistakes and settled into a community
that had already established the life long friendships of children
who would live with in a ten mile radius to where they grew up.
What a strange experience to be around people who couldn't speak
outside a southern draw or respect the cultural difference of the snow globe
county of Douglasville.


Credo Drafts-

 1— The World has No Excuses, but I Do

I understand vintage sterling men's tie and Chivas Regal Royal Salute,
its vulnerable neck tipped $10,000 in motion down my right thigh
tickling my excessive want to be the bubonic plague so that I might cherry
tree truth hampered under the most popular guns of the east Appalachain
trilliums. I am an experienced seed, a fleshy organ illegal to pick
durring the summer months when the body fevers into mole skin.

The world is a short hike to a keepsake box.


2—


I believe in bleeding ink stained skin.
I believe in talking to stranger especially in Colorado
at a mimi market waiting on the bus
that would struggle us up the snow cap mountain
forcing us to face the choke wind. To find
our selves at the top plating in the sun cut ribbon
smiling to slope back to the bottom and repeat
the challenges we are forced to face in life.

As children being taught to not talk to strangers,
I don't believe in that. I believe in facing the world fearless

I understand vintage sterling men's tie and Chivas Regal Royal Salute,
its vulnerable neck tipped $10,000 in motion down my right thigh
tickling my excessive want to be the bubonic plague so that I might cherry
tree truth hampered under the most popular guns of the east Appalachain
trilliums. I am an experienced seed, a fleshy organ illegal to pick
durring the summer months when the body fevers into mole skin.


I believe in the fairy tales in our heads, they're not ruled out possibilities,
even the queen of hearts has her moments, allow the fearful cuffs
around the mind to click open roads and sails to beautiful worldly location.
I believe in hesitation and then jump.


3—

The Little Anchors in Life



When I was young my mother tried to make me fearful of the world,
she placed headphones on my ears and recycled the words that told
me to listen to her because she was always right. I sang against
her not to be rebellious but for myself. As a child she tried to teach
me not to talk to strangers, but I don't believe in that. How would people
make friends? I believe in facing the world fearless. I understand
vintage sterling men's tie and Chivas Regal Royal Salute,

its vulnerable neck tipped $10,000 in motion down my right thigh
tickling my excessive want to be the bubonic plague so that I might cherry
tree truth hampered under the most popular guns of the east Appalachain
trilliums. I am an experienced seed, a fleshy organ illegal to pick
durring the summer months when the body fevers into mole skin.

I believe in the fairy tales in our heads, they're not ruled out possibilities,
even the queen of hearts has her moments, allow the fearful cuffs
around the mind to click open roads and sails to beautiful worldly location.
I believe in hesitation and then jump.


Childhood experience from adult perspective drafts:

1—
I had just learned how to ride a bike when I rode it past the neighbors house
in my favorite worn out yellow dress with the big white polka dots,
my hair was short, dark, and thicker than the fur coat of my favorite teddy bear.
I made sure my smile only exposed my two front teeth because the rest were trading
spaces which left my mouth full of space, dark doors open to the practiced giggles
for subjects like big wheel racing down fourteenth street, the things I didn't care for.
I had barbie teach me how to stand with my shoulders back and how to extend my limbs
into desirable lengths for eyes to trace in curiosity, this was the age we were all learning
to explore the different anatomy of boys and girls.

2—
For as long as I can remember I think we've been assembled by the production line of toys,
barbies teaching girls how to hold their shoulders back and extend their limbs into desirable
eye tracing lengths, and big wheels were created for boys to take interests in machinery
and fast moving moments to foreshadow the approaching years of  aggressive behavior
in mating season, teenage hormones. For as long as I can remember girls were plastic,
even before its twenty first discovery. Girls have always had a way of utilizing dirt,
a way of "accentuating" their flaws to be flawless and men encouraged girls to keep covered,
they liked perfection: round tear glazed eyes, baby soft skin, and the qualities of a domesticate
house kitten he challenged before he met the girl he'd marry.

3—
When I was about six I learned how to ride my bike in the most stubborn way possible,
my parents had no role. I climbed the wooden fence in the front yard, mound the seat
held the splintering wood as my feet barley reached the petals into a forward motion.
Once I kept the rhythm of my body I let go to steer past my neighbors house,
where the boy with the largest collection of Pokemon cards lived, I had to impress
the impressive.


For as long as I can remember I think we've been assembled by the production line of toys,
barbies teaching girls how to hold their shoulders back and extend their limbs into desirable
eye tracing lengths, and big wheels were created for boys to take interests in machinery
and fast moving moments to foreshadow the approaching years of  aggressive behavior
in mating season, teenage hormones. For as long as I can remember girls were plastic,
even before its twenty first discovery. Girls have always had a way of utilizing dirt,
a way of "accentuating" their flaws to be flawless and men encouraged girls to keep covered,
they liked perfection: round tear glazed eyes, baby soft skin, and the qualities of a domesticate
house kitten he challenged before he met the girl he'd marry.




Workplace Poem (redemptive quality) drafts:




1—

When I was 19 I had less than fifty dollars in my bank account,
I needed a job so I hitch hiked to Atlanta and started to barge buildings
because I refused to be the homeless man on 10th street, as nice as he was
that was not the life for me. Each building had a new greeter with new rules
request to apply online. Yeah right. While walking streets a man stopped me
and hired me, not even aware of my skills and I said yes. He must have answered
the prayer that I did not say and I must have been lucky.
The job was long hours and tangled in a network of drug users or abusers
that tried to peer pressure like the high school hallways everyone hated
to grow up in. Thank my stubborn to not choke on the smoke
from the coworkers who could not hold their own sanity.




2—

The things you learn while being a bartender is that people need to talk
about themselves, people need to drink and drown in their stories,
they need to assist their thoughts into confidence to be okay
to open the gaps of missing (not forgotten) bads they achieved in their life.
The man on the stool at five o'clock somewhere has a left sleeve that is slightly
wrinkles by the writs exposing the three raised attempts to drown with the wine,
the thick  heavy red that his divorced wife left him tumored and their daughter
lost in the headphones trying not to listen to either side of the court papers
that would not allow her to leave. Everyone needs a drink for therapy.

3—
I'm convinced that a glass of Jack and an aspirin bottle might be the therapy
that saves the world and mellows out the highly strung and orchestrated
suits that move in lines of two or three out the revolving doors for lunch.

The things you learn while being a bartender is that people need to talk
about themselves, people need to drink and drown in their stories,
they need to assist their thoughts into confidence to be okay
to open the gaps of missing (not forgotten) bads they achieved in their life.
The man on the stool, it's five o'clock somewhere has a left sleeve that is slightly
wrinkles by the writs exposing the three raised attempts to drown with the wine,
the thick  heavy red that his divorced wife left him tumored and their daughter
lost in the headphones trying not to listen to either side of the court papers
that would not allow her to leave. He stops by every afternoon at lunch, sits
third stool from the west entrance of the door and somehow returns to work.
Everyone needs a drink for therapy.


Tuesday, October 23, 2012

Journal Entries #2 ENGL 4210





Junk Yard Quotes

The World is ours if you want you can take it
Abuse tea
I’m a part time
You shut your whorish mouth
Hey because I’ve been on, my sweetheart bones sound track
The first Honduras drive by
Dirt Road Anthem
Mmm Mmm Mmm, he said in America! Only blue in America, special edition.

Most nights I don’t know

It taste like everything you didn’t like as a child
The Styrofoam breaks but the chicken doesn’t
I lit fire with the love you left behind
Flaw stubborn
Salt and pepper afro
Toenails stay forever
The leaves don’t want to lose their shadows at night
There was a dead bird at the bus stop. I took a picture, wanna see? There it is, see. Dana said maybe it died because of the cold. The blood splattered it’s lifeless beak.
He brought pizza and bread sticks and let me keep the leftovers
Like a broken record she repeats now I am at the point. Hand over chest
We didn’t know how to dance to country, but we were shaking it
Make fun of my gorgeous leg
Hand polish China
He needs no last name
I got in his pants without him knowing
And some days I can’t even trust myself
Brought me safe to shore.. ships hips
Feathers and twigs
I guess I could count the knots in the word again
It should feel a little awkward
Make me earn my keep, we have it too easy
It was a placeholder
I couldn’t get her off my head
How to rip paper with confidence
Stay strong stay hungry stay alive
Keeps me sharp when I’m getting dull
Conditioned to watch you
Your bathroom, you could probably private there
Not everybody knows what’s going on
Don’t let the bastards bring you down
In the end much of it comes down to personal preference
Every time you wear that sweater I just want to rub you, not in a weird way
And now one’s missing
Is anyone intended in
Each room decorated by different famous
Switch to families arguing normally at Christmas
Handle with care
Medicate yourself through liter
You are the expert
You are qualitative
Really think about it
Ask people questions
Come up with explanations
I’ve got it almost
Looking through old photos and feeling great about my life, not really
Let’s not be that predictable
There are moments when
Finished in 12-18 months everything is near normal color Do you sleep with the fan on?
Don’t nobody cut crust off bread anymore, we’re still in a recession. Don’t be wasting food.
Plastic sheets are on the table. I am ready to split bottle of Pinot Noir
If I wasn’t raised right that 60 year old woman would have just straight got cussed out

Skyline on a Sunday Afternoon

My voice is so deep it vibrates my chair when I speak. I would hat if I didn’t like vibrating chairs

A patch of Velcro

I obnoxiously clear my throat and then say nothing at all
They didn’t challenge him
I don’t know who they are or where they came from but they have damn good work ethics

Glass objects

Carving hookers is greater than carving pumpkins for Halloween because they just aren’t real people
Took peanut butter and smeared the windows (Jiffy)
Shallow-relief
World on the walls
Scratched in order
Only the dead have seen the end of war
It should feel a little awkward
For my lover returning to his wife
How to rip paper with confidence
You can’t cut balloons
Put your elbows up she giggles
Her elbow diggin into my skin
Hooks in her





IMPROVS

Medusa—Louise Bogan
Improv 1

The Cold Call of a War-Hero

I will never forget that day,
The wave-shapes
measured invasive,
into and echoless ring.

The shift in the air pressure
adjusting tongue and lip
·      weaken, his mother absent of words, understood.

The earth had to pause
to remember sun,
to accept rain
and organic toxins.

It had to child
his family, friends
and even the stranger
to hear his story
in the black and white
business section of the paper.

The world, a mutual fund
a national conquest
of produce people.
We kill for nothingness.










Women—Louise Bogan
Improv 2

Men

Men have narrow backs,
They are mainstream pornography,
content to pacifier lingerie lipstick
inside their lines.
They shape like cupcake Merlot
Brand by the stomach:
“our body’s sold”
no consequences for men.

They value minute rice,
bling and booty shaking
not trying hard enough
to have a good pair of jeans.

GQ sets the standards
As creators of such
less than human complexion
turn into paper crumbles.


Chaplinesque—Hart Crane
Improv 3

“The tide that left and never came back”

We walk the streets by four,
forceful against the forward whispers
of banana nutmeg bread
·      once a favorite grandmother
recipe, now economic repeat.
She wants the heterosexual child,
the knowledge taught brag,
the successful Audi now.
She wants tiffany frost on her wrist,
she wants the sharks
to take her tome to the waves
that  crush the earth into grains
of souls that follow you home
and carnage the wooden banister, scars
of childhood mind of switches,
body twitches in innocent play.

At Melville’s Tomb—Hart Crane
Improv 4

Certified Non-toxic

October 6, Stone Wall Street, Flux Night Atlanta
On the corner a man with a vendetta mask
Asked me to coin change but damned
Me to bequeath chaos,
He said:
“The paper print birds,
words—
journalistic lies,
absorb oil.”
In the thick, mark typeface,
tells the truth of turtle necks,
scarves and scar city tracks,
underground points,
Smeared cannabis smoked mirrors.
I want to find my way to you.


Ode to the Confederate Dead —Allen Tate
Improv 5

In the fall the leaves, leave
Behind the world. The burnt
Orange crayons pick the green
And eventually crumble


The Weary Blues—Langston Hughes
Improv 6

First Sway, then swivel
Then bounce, then sleep
So below the sands curl

He matches the beat to lead
Bleed words, tounged gums
And aired vibrations;
A leader, a thirty second
Sell, sold…
The ferr

The Negro Speaks of Rivers—Langston Hughes
Improv 7
I’ve known woods:
I’ve known woods los into the most advanced framework teak shadow boxed with purpose.
Life allows the outside world a sketchpad.
I play in the reds­—purple hues of the Japanese Maple.
I handful the rainfall yellows and garden in patience.
I strip bark and deeply divide, the more popular, lacy shrubs.
I reflect heat in partial sun, propagate quietly in late summer
somewhere, and hope that every imagined problem change the behavior of young people.
I’ve known woods:
Twisted, branching woods.
Life allows the outside world a sketchpad.
Theme for English B—Langston Hughes
Improv 8

The top dog, the freshman dictator,
It’s my year.
The year of the Dragon,
Only because—it’s my year
Trade mark my holiday
The scent of roasted edamame,
Let the seapoint perfect,
Let it curl like ringlets.
I know everything.
Then I don’t.
I reduce risk
Of heart disease
Forget waxy blood
I’m oxygen-rich
Let me in,
We can go a long way
Learn the subtle differences
of rhythm peak and valley.


Yet Do I Marvel—Countee Cullen
Improv 9

I have a faith, but to what?
A book thin, weaker than skin,
Ink formed lines that word:

“I shall mark

or disposition” A God?
Before this it was a different narrative
Befor this scarring of skin
Was a mother that said
“There are good
There are bad
Don’t be afraid”


The Hard Structure of the World—Richard Eberhart
Improv 10
I once saw a possum involuntarily give birth
Off Bethlem road, some winter night.
She might have been scavenging for food
To have been surprised by the yellow lens.
Her marbled red eyes, stone, sharp teeth
Her back horizontal against the asphalt,
It was nothing I’d ever seen before,
Until I saw the woman
The ’82 Buick blue finish
Dissecting the stomach, reaching in
And pulling out the only surviving baby.













Missing Dates—William Empson
Improv 11

Play Time, All the Time

On Tyus hill the sled could no longer climb, The twigs and feathers were too thick For children to famish time.
On the tree-top heard a faint chime
A warning that town was sick
And not even a mother could flutter climb.

They are functioning on “scene” time
Cutting wrist with a flick
Dancing in sweaters I just want to rub sublime.

In Memory of W.B. Yeats—W.H. Auden
Improv 12

Pulling Weight
I wish my job would stop feeding
me. I will never reach my weight-
less then the camel back store
milk. Thick curdling milk, sick.

I want to be thin like the garter
Around a stripper’s thigh, high class

well paid. I want to smear thick
censor lines about my eye,

No not that eye but the vagina
I have no respect for. It’s depressed

Not even Channing Tatum could dance
His way inside—Tatum so much man

He’ll have his way with me, eventually.




As I Walked Out One Evening—W. H. Auden
Improv 13

As I Walked in One Evening

As I walked in one evening,
Into the limonite brain games,
You sat there in the plaid yellow grandpa
Jacket, coating your burnt knee.

The carpet of the second floor closet

You and her, the size two petite
Burning carpet for a moment worth
Jumping into the Alaskan Ocean.

The truth is, not even the cold

Water could forgive your vat coat
Heart, slowly yellowing to purple
All for that burning session on the floor

I turn my camera and there is no more talk

Only you and her scarring at the knees Physically branding the slut and the cheat.
As I walked in one evening, you
had nothing to say and it said everything.



















Musee des Beaux Arts—W.H. Auden
Improv 14

I don’t even understand me

The knit sock master: how well I or they understand
The marbled world meeting connections
In San Diego. “Handle with care” written
In ink across my wrist, and I wonder what people think About the quality of my painted nails, if they, The experts could see the boy who poured Sand down my pants ten months prior or the Hispanic Girl that placed the earwig on my shoulder So that it nest a life time of hate.
The experts want their reverse psychology—

Medicating those who are fine

To live their lives against the grain of concrete Those who recovered on their own Thos who everyone wants to get in their pants now.  The screams all sound the same.
Dolor—Theodore Roethke
Improv 15

Skunk Hair

Her hair looked fine all brown
But now it’s topped with blonde
And chocolately dark on the bottom.

She asked me how it looked
I said I needed a drink, Bloody Mary.

I don’t like olives
I only like celery,
Can’t do olives, can’t do it.

She asked me three drinks deep
“How do you like my hair?”
I said next time go olive.






Wish for a Young Wife—Theodore Roethke
Improv 16

Halloween Bum

I was fifteen when I wanted to be a bum
So for Halloween I tested it out.

On the ground I smeared the left over

Tuna black found in the dumpster by my side, That I crawled into, looking for a plastic bag.
I lay on the ground curled at the torso
Observing the passer placing cigarettes
Spare nickles, and Almond Joys in my bag.

What pity they must have felt for me,
A fifteen year old boy curious about urban
Life style under highway bridges.



The Armadillo—Elizabeth Bishop
Improv 17

Tera was missing her third
Toe on her left paw,
Her fight against cancer.
She was about 83 in dog
Years when the wild kittens
Birthed in the backyard
She collected them on her ribbed
Back, blanket them with her failing
Fur and dry rasin nose. She didn’t flinch
When the kittens knead knives
Into her bruised skin, instead
Licked their cheeks and fell asleep.
Tera stopped eating the hard
Mix from the Purina bag
And requested my plate
Her final days.




One Art—Elizabeth Bishop
Improv 18

The little girl at Clinton Farms is flying
A Dora the explorer kite
Chasing the unspooling white string, crying.

She doesn’t know at twenty four
The white string will take a bite
And this time her post card is flying.

This time the boy is worth trying:
The steady ink blots are right
There are no more broken phones, crying.



The Moose—Elizabeth Bishop
Improv 19

Children Playing in Jordan Park

The moose on the oven towel
Is burning on the magnesium stove
And the house sounds like and ambulance
And the children are rolling on the ground
And the smoke is thickening like London fog While London bridge is falling down.
Down, down, down falls the house
Settled on top of Tyson road.

Grandpas smoke pipe of mild peppermint,
The color of the photo paper illuminating
Spirals in the fireworks, the burning house
The little girls lungs are out of air.









Santarem—Elizabeth Bishop
Improv 20

I was born with a hairy chest
The month of jester hats
The year of the dragon
My life, generic role-play.

I’m too lazy for a job
But I don’t mind digging
The Burger King trash
For receipts for free burgers
Or left over fries.

I’m a scavenger myself
A regular nomad
A top hat and mustache
Kind of man. I like to wear

My pants waist high
Shirt tucked in
Suspenders and a back to the future
Hat 1988 made.

I’ll never grow up
To be a coffee drinker
A watch wrister
Or a cubical worker

I like my hair slicked
To the left with one loose
Strand standing straight













Manhole Covers—Karl Shapiro
Improv 21

The World didn’t End in a Break Up

When water vapor is visible
The blood muscle is vulnerable
The cover inside the body bruises
At just the right temperature
And though you can not see
Through the purple wrinkled cover
The redness is gradual healing skin
And if he does not call before the months
Have been too long
And the skin is near normal color
Don’t let the story end predictable.

Fall, 1961—Robert Lowell
Improv 22

I hold this pen, it moves around
The thoughts before they exist.
I make a wish to hear you sleep
Like lullabies you make me weep
And in the night, this lead
Does keep the secrets in my head
Will leak and let it bleed across the page
Let it sink into the stomach
When you think of me. Forget
Me if you can but I know you won’t.
So watch from a distance,
I will take you back.













Memories of West Street and Lepke—Robert Lowell
Improv 23
The screen-door was locked and I was too short to knob my way out into the street after you.  The man in the camo threw your Kermit green bag In the bed of his pick up truck and you waved A happy goodbye as the tears washed the dirt Backyard we spent playing in that morning.

You tickled my baby fat arm and I just knew

We’d be best friends forever, until fifteen
Tocks to the hour our door caged
And you walked away.


Skunk Hour—Robert Lowell
Improv 24

In the newspaper was a print
Of a blind man and his cane
The headline wrote: “Blind Man
Mistakes Taser for Samurai Sword”
And he fell to the ground
His skin Braille in the face
The Buckingham legal enforcement
Ignored the blind man’s eyes
And continued to arrest his ears
In contempt, his story was erased.

















For the Union Dead—Robert Lowell
Improv 25

Women Growing Up in the South

In the south it’s all about peach
Bubble fizz of a southern belle
Her great grandmother’s cobbler
Perfected by the word of God
And Mason jars.

It’s about the Monroe martini glass
Blush red and orange champaign
Tickling nose by the brim
The kind of tickle that fires a man’s
Masonry—his heart primitive
Pork, honey glazed bar-b-que.

That’s all she needs to understand
The mop buckets under the sun.



Those Winter Sundays—Robert Hayden
Improv 26

Everyone is More Alike than Different

I’ve grown to be the man
My father labored wood for
His persistent drives up windy
Hills on weekends warmed
The layers under the jacket
To prosper from boy to man.
That properly shook hands
Firm kept words and silver
Hand jewelry.








Traveling Through the Dark—William Stafford
Improv 27
Traveling through the dark I found a bulb Alive in a small amount of water—flickering In the mercury tube collecting smaller pieces of dust Little pieces of moss powdered from the inside bulb Stuff cardboard on the streets and my socks are soaked Sweating cold against the Chicago wind in December.

I cannot live the skin scathe local weather

I cannot continue to be ill-fated, clocked between trees And power lines, the thunder storm must move The politicians and city boosters must unsettle And warm humid air, the must march across The eastern states and jacket the broken glass Shivering in the canals before my tapered soul Foot the mouth of the suit that passes me as non-existent The eyelets across his face will prove me human.
At the Bomb Testing Site—William Stafford
Improv 28

In passing the raccoon’s tail bristled
Open with chilled pores gripping fur
The tomb of the soldiers

“We sleep here in obedience to law:
When duty called, we came.
When country called, we died”

The raccoon didn’t have to feel the Braille To brush the air marbled cold—the repository Remains of the dead, the bayonets enclosed By the Mason jar lid, prepared for any zombie apocalypses.









The Death of the Ball Turret Gunner—Randall Jarrell
Improv 29

LinkedIn

Your profile viewing mine
You endorsed my skills
Sarcastically, so naturally
I posted private photograph
The skills you lacked.
Happy job hunting.


Dream Songs 1—John Berryman
Improv 30

There are moments when the ribbon
Ribs the street, cuts deep
Under the peeled wallpaper
Curling nail, the girl
Barely seventeen lullabies
In her head while her body
Works the family bread
Fed to the minnows
Her skin desensitized
Lost in hammered eyes
The lullabies lull
Fairy tales exist for dying souls,
The last fading hope.
















Dream Song 14—John Berryman
Improv 31

Carving a Hooker is Greater than Carving a Pumpkin in October

There she is again on Spring street
Black laced and labeled, her skin
Organic cosmetic fiber-glass
Cut molds of clay, mushy and tasteless.
Men carve into her dry
Epidermis rind, she’s a service
Under sharp edges of Mascara
Weak metal remains, mastered
By-the-hand of a solider
A wife raised above artistic potential.

Dream Song 22: Of 1826—John Berryman
Improv 32

Revenge of the Vodka Club—Is there a Better Way to End the Weekend?

I am the out last of your day.
I am hydration for wrinkled eyes.
I am the soft waved curl in red hair.
I am your casual style during a Thursday rise.
I am fashion and fit in silk seem tear.
I am facts on 42 shade, a magazine I lay.


Dream Song 29—John Berryman
Improv 33

Fox Earring in Zinc

18k gold-plated with glass detail
so crystal, I’ll follow works.
In a magazine’s finished touch
A muse inspiring budget.
Girls fingers continuing to lurk
Always amazing with metal lush.







The Force That Through the Green Fuse Drives the Flower—Dylan Thomas
Improv 34
These guys are Marine’s
Trained to watch death
A compromise to early bed
And continue writing those times
Most fit in a run against
The God awful bat
That traveled thirty
Minutes to revenge.


A Refusal to Mourn the Death, by Fire, of Child in London—Dylan Thomas
Improv 35

Only the Dead have Seen the End of Divorce

Footprints in the snow, I watched her monkey booties Frost by the ears and crack like the tree boughs Too heavy to listen to the morning cardinals chirp Truth of the window on the third floor Open for eyes above treetops.

A Song in the Front Yard— Gwendolyn Brooks
Improv 36
I’ve been running my whole life.
I want to slow the screen
find a still frame moment and reflect in the lake.
A boys growing beard.

I want to walk the moss path
And maybe sail the Magat river,
To where my mother risked odds
On a brat like me.






Boy Breaking Glass— Gwendolyn Brooks
Improv 37

The Amount of Ink I Want is Ridiculous

Using only one color on paper,
The ink plays off pen tops and blank
Space marking modern attention
To what’s going in discount stores.
The copyright batfish kiss
By order of request.

We Real Cool— Gwendolyn Brooks
Improv 38

In the spring, or maybe it was summer,
The venomous pups mate annually
With low cost and convenient art making
Pectoral fins sheath sloughs while swimming Synchronized, wing beat under the channel Rocky-bottomed shorelines sometimes Use oysters to live dangerously subclasses.
An African Elegy— Robert Duncan
Improv 39

The dusty holster of the south can take the wild life City of Atlanta and drive the five miles with hand-fed City dwellers on paved road, individually seating Park benches with insured fast quality food.  Five different species: White, Black, Indian, Javan and Sumatran, critically endangered To live consuming both insects and sidewalk water.











Underwear— Lawrence Ferlinghetti
Improv 41

The world with its marbled perceptions
An individual’s choice in how to live.
So unfortunate to survive Friday night
Hangovers, wander the Publics aisles
Reading brand after brand: Lays, Dorritos,
Cheetos, Fritos, Sun Chips, Baken-ets,
Cracker Jack, Islen, Matador, Rold Gold,
Spitz, Stacy’s, Sabra, Ruffles, Funyuns.
Choices, no wonder life is so difficult.


Love Calls Us to Things of This World— Richard Wilbur
Improv 42

My Feet Were Cold and You Brought Nordstrom

With free shipping you brought me knit
Thick diagonal cotton socks, and I blushed
Next to the furnace as you placed little-by-little Over my hands two socks.
The Baroque Water Fountain at the Villa Sciarra— Richard Wilbur
Improv 43
Double fisting wine, I’m a real Itallian
An Intense tree climber by the Arano River
My fluent English is like sweatshirts and patches on admirable fur coat.
Church-Going— Philip Larkin
Improv 44

Germany Has Been Practicing All This Time for the Perfect Twenty First Birthday
I thought I lost my shoes until I saw them by gathered Conversations locked in horror stories about a specific person On a particular day(s), an event and celebration Of keg hair, piles of shoes, and lost pocket watches The world watched as little boys in stripped suit Inhaled clear, tasteless liquored vapor Wiring throats and eating bones.
High Windows— Philip Larkin
Improv 45

Here I am stringing together the words
we once whispered as two teenagers
making out in a field fifteen minutes
from home on Villa Road

Everyone old has dreamed of all their lives--
settled in a French influence estate
vintage with blood plumped harvester,
everyone young is going down the long slide

To happiness, endlessly. I wonder if
Anyone looked at me, forty years back,
And thought, That’ll be the life;
a baby and a money hungry father
and an assistant in scantily clothes
And his lot will all go down the long slide
Like free bloody birds. And immediately

Rather than words comes the thought of an antique window:
chippity yellow with rusty handles,
And beyond it, the metaphor of his broken relationship
Nothing, and is nowhere, and is endless.



More Light! More Light—Anthony Hecht
Improv 46

The Manila Slums are viewed through cheap window seals, Seen as trash, sustainable trash in the darkness.  Natural light only exists in the favorable smile Of the child featured in Impact your World Unaffordable, native families chore in the simple Fixed holes and iron roof tops that leak in seasons Of the sea.

In Class Exercises

Text with in Text Exercise:

Magazine

The world wrote:

“These fattening hogs

Have had too long
A rest”
And the women
They did not argue
But instead cleaned.

In the absence of lips
Their bones bruise
As their backs narrow
And their breast
Augment into things

But just one part
Of a thing
The focus of lips
She won’t talk back
She’s no consequence for man.

These girls, they’ve got it
The outside smiles
The primary message
In the Istanbul eye
The wear between thighs.




Magazine

The world wrote:

“These fattening hogs

Have had too long
A rest”
And the women did not argue to clean
lips, bruised bones and narrow backs
their breast augment into things
a part of other things that focus
on lips that won’t talk back
She’s no consequence for man.

These girls, they’ve got it
The outside smiles
The primary message
In the Istanbul eye
The wear between thighs.

Magazine

The world wrote:

“These fattening hogs

Have had too long
A rest”
And the women did not argue pencil
lined lips that kissed the bruise bones
on the hands of a narrow ring turn back
against the focus of  a no consequence man.

These girls, they’ve got the outside smiles

Between their thighs with the primary message:
“I’m looking down on the world.”


Reversal Exercise:

Agenda

Everything she wears is brand
Being watched and correct by crossed ink
Taking precautions, premature chandler
Events, every detail matters
Divided in months and color sticky notes
Abbreviated by the tabs she looks
For the circled numbers
The Friday night silverware
Bold across seven boxed lines
Which ever one she choose- the details
Are critical to the time of year
Trying to put out the history
Three business cards organized
Ink bullets magnified with plastic glass
Frames and set aside spelling arrangement
That doesn’t say much.

Agenda

On the cover she wears Lucien Piccard
Detailing the months on colored sticky notes
Trying to put out the details for a Friday
Night in gorgeous Battenber lace wrapped
Around silverware and premature chandlers she choose- the details so critical to the time of year that the ink from her floral patterned pen three business into spelling arrangements that didn’t say much.

Agenda

On the cover she wears Lucien Piccard
Detailing the months on colored sticky notes
Trying to put out the details for a Friday
Night in gorgeous Battenber lace wrapped
Around silverware and premature chandlers she choose- the details so critical to the time of year that the ink from her floral patterned pen three business into spelling arrangements that didn’t say much.

Two POV Exercise:

Crocks

I look the same on every foot
Male or female
Stylish to some degree, I guess.
Walking on cobble stones
I work better than the ballerina
Extending her right leg
Painting the bricks purple
And red, a hurt foot requires
Purpose for the weakened board
Members so unprofessionally
Peaking out holes with their big toe

Crocks

On odd man he was with his curled
Lip hair and curiously bulged eyes,
his eyes only saw me fit for horses.

I look the same on every foot male or female with style to some degree, I guess.
Walking on cobble stones in Figueres,
Spain with its lonely landscapes
And shattered paint, Melting pocket
watches into pools of shadowed sky.

I work better than the ballerina
Extending her right leg over the wall
Of purple and red bricks

a hurt foot requires
Purpose for the weakened board
Members so unprofessionally
Peaking out holes with their big toe.



Crocks

The tail of a peacock will watch
The odd man with his curled lip hair
Curiously with bulged eyes, his eyes
Only saw me fit for horses.

I look the same on every foot male or female with style to some degree, I guess.
Walking on cobble stones in Figueres,
Spain with its lonely landscapes
And shattered paint, Melting pocket
watches into pools of shadowed sky.

I work better than the ballerina
Extending her right leg over the wall
Of purple and red bricks throbbing

Purpose for the weakened  and aged
Big toe exploring the world.